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Dear
Friends: In last month's newsletter, I gave an overview of the history
of botanical art. There was brief mention made of several developmental
stages of this art form in particular the herbal plant discovery for
medicinal purposes. From the beginning, all records of human
existence point to this very fact: plants are documented for their
use.
Even before we could write, humans made a point of recording
the plants around them and whether they were edible or not. This
simple understanding then of course led to the discovery of their
medicinal properties.
Unfortunately, these early discoveries
were not properly recorded, but rather passed down orally, often within
families, and thus the knowledge of their proper use was lost and
altered. Fortunately today we are still learning about plants from
obscure cultures. My work in the Dominican Republic is an example of
how modern research enables wonderful re-discoveries of local native
plants, their medicinal properties, and how they can best be
used.
Sacred clay
tablets, hieroglyphics, then later, books and manuscripts all marked the beginning
of written documentation. The Egyptian Ebers Papyrus written around
1550 BCE describing natural plants and properties, the Chinese and Ayurvedic texts
about herbal medicines written between 2700 and 1500 BCE and the Greek physicians
Hippocrates, Theophrastus, and Dioscorides who pursued the discover of
medicines, the early quest for and writings about the healing powers of
herbs remained no small matter.
As I mentioned last month, monks in Christian
monasteries from the 9th through 11th centuries were chiefly responsible for recording many of these early discoveries.
They documented the medicinal purposes of plants in books called
"Herbals." The job of copying these books was passed down
and illustrations were rarely taken from the actual
plant. This abstraction created copies that contained distorted information about
the true nature of the plants being described.
Fortunately, the Renaissance which brought about the
beginning of modern science pulled civilization out of the Dark Ages
and prompted original thought. During the 14th and following
centuries, plants were documented according to their true physical
morphology. Re-recordings of the early monastic records prompted new
investigation with great vigor.
Both the science of
navigation and the printing press made it possible for the revised printed
herbals to gain popularity. And with so much available information
and with a vehicle that would allow wide spread influence, accurate
illustrations and proper taxonomy (plant naming) of plants borne from
first-hand observations were in high demand.
Although Europe holds a significant portion of
the history regarding the use of medicinal plants for healing, America began
the process of integrating North American plants into the European
materia medica, which ultimately altered the face of herbal
medicine in Europe. Botanical illustrators more than ever
before played a necessary role in plant idenification from sea
to shining sea and beyond.
We are fortunate today to have a wealth of this historic
information available to us in the various museums and libraries throughout the
world. In these places, we are able to see the
magnificent antique collections of illustrated Herbals as well as those
printed in later centuries. One such place near Florence, Italy called the
Aboca Museum has made its primary goal the illustration and
documentation of medicinal herbs.
Its ancient library contains a collection of over 1,000
printed volumes from the 16th to the 20th century of old herbals,
botanical books, and related manuscripts.
At the Bodleian Library, Cambridge,
England, one can find assorted texts of Herbals and other medieval
medical images from as early as the 11th century. Also, a
book published in association with the Hunt Institute for Botanical
Documentation in Pittsburgh, PA, called Plant, Animal & Anatomical
Illustration in Art and Science: a Bibliographical Guide from the 16th
Century to the Present Day
by Gavis Bridson references John Payne's complete
Flora: Flowers, Fruits, Beastes, Birds, and Flies Exactly Drawne
(London,
1660) and includes full-page illustrated plates. Additionally, the American Philosophical
Society in Philadelphia, PA, is holding a copy of William Bartram's
Botanical and Zoological Drawings, 1756-1788, that contains over
60 botanical illustrations.
I could go on and on, but
suffice it to say that thousands of listings of books where information on
herbs can be found complete with black and white line drawings
and color illustrations are not only available for viewing but the
mention of which gives a glimpse into the enormous world of botanical art
and to the importance of its tiny subjects.
"Nobody sees a flower -
really - it is so small it takes time - we haven't time - and to see takes
time, like to have a friend takes time."
Georgia O'Keefe
God Bless.
OM
Soul Biz
A pleasing melancholy pervades the soul as we trace the
memorials of these devoted and magnanimous men, benefactors of the human
race. They seem to redeem the vary character of man from all the
vile aspersions that have been cast upon it; they shine as spendid beacons
on the solitude of time, to point out to the traveller the road to glory
and the haven of immortality and peace."
The Working-Man's Family Botanical Guide by
William Fox, M.D.
1924
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Art
Classes
1. STUDIO 20: Research on
the Internet with
Susan Hubbard Two
Saturdays, August 20 and 27, 2005 9am
to Noon Call to
Register: 941-953-9999 $185.
2. STUDIO 20: Summer Drawing with
Susan Hubbard
Two Tuesdays Aug 23 and 30, 2005 9am to Noon Call to
Register: 941-953-9999
$185.
3. STUDIO
20: Flower Photography Intro with
Jade Gates Learn the basics to Macro Photography
for up close key element research and distant photography for
composition. Especially geared toward botanical art field study.
Ask about scheduling for followup photography
workshop. Saturday and Sunday September 24 and 25,
2005 10am to 1pm Call to Register: 941-953-9999
$185.
REGISTER EARLY FOR Fall
Classes with OM Braida
Studio 20
Sarasota: Every Thursday Oct 6 to Dec 15, 2005 9:30am to
2:30pm Call to
Register: 941-953-9999
Selby Garden
Sarasota: ~Intro
to Botanical Drawing: Oct 3,4,5, 2005 12Noon to
5pm
~Master Class in Drawing & Watercolor: Nov 7,8,9,
2005 12Noon to 5pm
~Intro to Botanical Watercolor: Dec
13, 14, 15, 2005 12Noon to 5pm To Register Call:
941-366-5731
Ringling School of Art and Design Botanical
Art Certificate Program Fall Classes begin
October 3rd. Open House September 17, 2005 To Register Call:
941-955-8866
Exhibitions
Marie Selby Botanical Gardens
present An Artist's Tribute to Selby Garden's Botanical
Legacy Botanical Paintings by Karen J.
Schunck July 17 to August 29,
2005
Batiks Botanicos by Angela Maria
Isaza September 2 to October 14, 2005 10am to 5pm Daily In the
Selby Mansion 811 South Palm Avenue Sarasota,
Florida 941-366-5731
Brooklyn
Botanical Garden The Secret Garden: A Women's View Photograpy
Exhibit June
5 to August 2, 2005 Second Nature: Abstractions of Botanical
Forms - Pastels by Nancy Storrow September 23 to November 13, 2005 1000 Washington Avenue Brooklyn,
NY 718-623-7200
GARDEN
EVENTS Fairchild Tropical
Gardens Volunteer
Day
August 24 & 25, 2005, or September 10, 2005 9:30am to Noon Call 305.667.1651 x 3344
Book
Buys
The New Age Herbalist Consultant
Editor Richard Maybe
The Holistic Herbal by David
Hoffman
Los Remidos Traditional Herbal Remedies of the
Southwest by Michael Moore
Medicinal Plants of the Pacific
West by Michael Moore
Web Addresses for Loads of Books on
Herbs www.mycountrygarden.net www.herbalremedies.com ~~~~~~~~~~~~
Hunting for Art Supplies??? It's never been easier....
The OM ART Marketplace now has direct
access to all the art supplies one would ever need to practice
botanical art.
Click www.omartdesigns.com to
visit our Marketplace
Click the easy access buttons for drawing and
watercolor. Supply lists appear and supplies can be
purchased directly through Dick Blick. Let me know if I am missing
anything you might need.
~~~~~~~~~~~~
Available Only
Through OM Art Designs OM ART TEXT BOOKS PERPLEXI
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ENJOY YOUR SUMMER. I'M GOIN' FISHING... :-)
SEE YOU IN OCTOBER!!!
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