OLIVIA MARIE BRAIDA-CHIUSANO
Founder, Academy of Botanical Art
Master Botanical Artist, Author, and Educator
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Olivia Braida is founder of
the Academy of Botanical
Art, a division of OM Art Designs. As a Certified Botanical Artist, Ms. Braida
has authored a book series entitled, “Ten
Steps – A Course in Botanical Art, Volumes 1-10” which she has used to
design the various classes that form the Academy’s Botanical Art Certificate
Program. The botanical art lessons are designed to be sequential with each
lesson building on the one before.
Ms.
Braida’s course curriculum emphasizes developing strong drawing skills and an
understanding of both watercolor and pen and ink which are considered the
traditional media of the botanical artist.
The entire program is designed to prepare the student for becoming a
professional artist – whether it be for vocation or avocation.
Founder and Board President Emeritus of
the Florida Society of Botanical Artists, Inc. (FSBA), Ms. Braida is delighted
to expand the awareness of botanical art to both adults and young teens who may
find the numerous opportunities connected with botanical art of great interest
as they develop their drawing skills.
Ms. Braida's work has received many exhibition
awards and publishing honors and is featured in “TODAY’S BOTANICAL ARTISTS” by Cora B. Marcus and Libby Kyer, Schiffer
Publishing 2008 and in “Kirpal Singh,
His Grace Lives On” published by Ruhani
Satsang 2001. She created a florilegia reflecting
the biodiversity study in the Caribbean -- thirteen
grand scale commissioned pieces now hang in the Cornell University’s Conference Center for
Biodiversity and Medicinal Plants, in Punta
Cana, Dominican
Republic. Ms. Braida has been recognized by The Hunt
Institute for Botanical Documentation, Research Division of Carnegie Mellon
University, in Pittsburgh, by the
purchase for their private collection of her original watercolor, “Magnolia grandiflora ‘Little Gem’ #2 currently
on a worldwide tour. She has developed a
network of clients within the United
States, the Caribbean, Europe, and Thailand. Her school, books, and teaching methods
attract students as far away as Australia and Mexico.
A graduate of the State University of New York,
Ms. Braida holds a Bachelor of Science degree in Business and Art and a
Botanical Art and Illustration Certificate from the New York Botanical Garden. She received her professional art training at SUNY Purchase,
Pratt, the New York Art Students League, the New York Botanical Garden and studied under Master Painters
Caesar Borgia and Anne Marie Evans in the New York and in the United Kingdom.
Ms. Braida also conducts travel
workshops and offers distance learning both in the U.S. and
abroad. She lives in Sarasota with her
husband with other family members close by, including two young grandchildren
who love to draw and paint.
For more about Olivia click here.
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PENELL SKINNER
Dean of Academic Affairs
Academy of Botanical Art
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 Penell Skinner brings to the Academy a dynamic teaching style
coupled with a broad professional background. She taught for several years in
the Diocese of New York City at Cardinal Spellman and for the
School
of
French Culture
in
Paris
.
Penell
has written and delivered educational lectures for international travelers with
American Tours International, Grand Circle, Collette, People-to-People Ambassadors and EF America.
From her childhood in New York City on Penell has been studying art. Following lectures at the Metropolitan Museum
of Art, The Frick and The Whitney to her days in Washington, D.C.
at the Corcoran and Philip’s galleries, and at the Louvre during study at the
Sorbonne, Penell has listened, viewed and learned about the details and
evolution of painting. Over the last six
years Penell has studied botanical drawing with the Academy and sold both
sculpture of children and fruit drawing to private collectors.
After gaining her degree
from Georgetown University in Languages and Linguistics, Penell traveled
professionally for many years to many of the world’s important cities. Over a period of 35 years Penell had been
fortunate to view and discuss a variety of world art. She arrives now to a singular professional
goal; that is, to bring people together for peaceful co-existence and to
facilitate the knowledge and enjoyment of our world both in nature and art.
Ms. Skinner, as the
Academy’s Dean of Academic Affairs, is the student’s link to education,
materials, instructors. |
LESLIE W. RAMSEY
Certified Botanical Artist
Approved Academy Instructor
Director of Academy of Botanical Art in Kentucky
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Ms.
Ramsey is an award winning botanical artist, a member of the Florida Society of
Botanical Artists and the Florida Native Plant Society. Her work has been published in Ms. Braida’s “Ten Steps – A Course in Botanical Art.” Ms. Ramsey followed the Academy’s instructor
apprenticeship program to completion and is now an approved Academy
instructor. In addition, she was chosen
to be part of the OM Art Design team that created images for the IWGS. Her drawing of Nymphaea ‘St. Louis Gold’ was chosen for the cover of the 2006
International Water Garden Society program for the annual convention in Orlando, Florida. She and Ms. Braida
collaborated on the IWGS promotional materials featuring Freddy the Frog which
can be seen on the symposium Freddy information fold-out for the IWGS arts
competition and the symposium water bottles.
After drawing Freddy for many
years he has finally hopped into the limelight.
Leslie
Ramsey is currently living in Lexington, Kentucky where she recently began teaching the Academy lessons at the new
Academy in Kentucky school.
In addition to her teaching, and her private art commissions, she has her
own interior design firm, Designing Women, LLC.
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SUSAN LEIGH COFFEY
Certified Botanical Artist
Approved Academy Instructor
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Susan Coffey started her career in the
business world as a marketing specialist.
Her professional training and her love of art was the impetous for
opening her own design firm in Nashua, New Hampshire where she completed
commissions for hand painted furniture, faux finish, Trompe L’Oeille, and
murals.
Ms. Coffey relocated to Sarasota, Florida in 1996 with her husband and
three children where she continued to sell her designs. An interest in executing “correct” botanical
designs led her to the studio of O.M. Braida and a discussion that would
re-directed her path forever.
Having completed the Fine Art Certificate Program and working
on her final independent study for the Botanical Art Certificate offered at the Ringling College of Art and Design, School of Continuing Studies and Special Programs, Ms.
Coffey followed a teacher apprenticeship program with Ms. Braida and now
teaches the Academy lessons in botanical drawing, watercolor, and pen & ink. She is comfortable working in Watercolor, Graphite, Pen & Ink, Charcoal,
Acrylic, & Oil.
Ms.
Coffey was selected to be part of the OM Art Design team that created the
recent marketing campaign for the International Waterlily and Water Gardening
Society. Her watercolor of the Nymphaea ‘Shirley Bryne’ was sold at the
IWGS 2006 Symposium in Orlando, Florida, and parts of this design were commissioned for
the IWGS aprons that were on sale. She
was responsible for compiling a large body of necessary botanical art
discussion materials that the IWGS presenters used for their speeches on
education, research, and conservation.
Her work with the IWGS garnered an invitation to a botanical field trip
on the Amazon in spring of 2007 which resulted in wonderful research and field
study. She makes plants to return to the
Amazon with another team of professional scientists and botanists.
Susan
Coffey lives in Sarasota with her husband, and three beautiful children
who exhibit their genetic influence by creating fabulous designs of their own.
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JOHN BECKNER, BS Botany
Approved Academy Instructor of Botany
Author of Several Botany Programs at the Academy and
Collaborator with Ms. Braida on Volume #10: Plant Morphology for Artists
�Ten Steps � A Course in Botanical Art & Illustration� by O.M. Braida
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“Only the individual artist can be
truly creative and express whatever the artistic goal may be. To reach the level of talented art production
a vast foundation can be learned from those who have already gained
experience. Olivia Braida is one such
person, an artist and a teacher, who has covered just about anything the student,
will want to know to begin their botanical art career in her “Ten Steps”
series. Even more important, she teaches
what they did not realize they needed to know.
It is a privilege to be associated with such an ongoing effort. In the years ahead we can watch for the
growing body of talented students and an impressive body of artistic results.”
JB
EDUCATION
B.S. degree in
Agriculture, major in Botany, University of Florida, Gainesville, FL with
coursework at University of Miami, Coral Gables, FL, and St. Petersburg Junior
College, St. Petersburg, FL.
RESEARCH
University of Florida
Herbarium (FLAS), Gainesville, FL
Managed staff
activities, identified 2000-3000 specimens per year for the State Agricultural
Extension Service. Conducted research
for the U.S. Air Force at Eglin Air Force Base in western Florida.
Marie Selby Botanical
Gardens, Sarasota, FL
Research
interests: plants of Florida
and the Caribbean; Orchidaceae of the world, especially terrestrials of warm
regions; twig epiphytes; Oncidium; Vanilla; ecology and population biology
of epiphytes; and theoretical aspects of evolution. Increasingly focused upon complex ecological
systems that include orchids.
General
Geography
of Research: All counties in Florida and adjacent portions of other states. Formerly active in Cuba, Bahamas, and Central America.
Projects: Epiphytes in Fakahatchee Strand State Preserve,
Collier Co., FL; terrestrial orchids and their natural hybrids in northern FL;
variation, ecology, distribution of water plants, including species of Florida;
variation, geography, domestication potential of Vitis shuttleworthii (Calusa
grape); Sesbania (Legume), a genus of
native and exotic nitrogen fixing and erosion control plants.
Goals: Prepare field guides, and technical papers on Florida ecosystems; develop ways to enhance and make
sustainable our environment.
TEACHING AND PUBLIC SPEAKING
Academy of Botanical Art, Sarasota, FL. Distance Learning Instructor for plant
morphology, Orchid Conservation, Bromeliad Studies, Endangered Species, Native
Plant Studies.
Ringling College of Art, Sarasota, FL. Adjunct, teaching plant morphology course
as part of certificate program in botanical illustration.
Marie Selby Botanical
Gardens, Sarasota, FL.
Delivered talks to orchid, bromeliad, fern, gesneriad, native plant, and
conservation groups. Speaker at the
Orchid Conservation-97 conference.
Keynote speaker at the North American Native Orchid Alliance conference,
Tampa, FL,
April 1997, Master Naturalist class on Florida orchids, 2002.
Pinellas Technical Institute (formally Pinellas Vocational-Technical
Institute), St.
Petersburg,
FL. Taught courses in Genetics, Plant
Physiology, and primarily Plant Identification for 15 years.
Eckerd College, St. Petersburg, FL. Adjunct, taught Plant Biodiversity, 2002.
ORGANIZATIONS
Sigma Xi, since 1960’s.
Voted Life Membership
in Florida West Coast Orchid Society. Past member and officer in numerous plant
societies.
Accredited Judge of
American Orchid Society since September 1963, active in AOS judging in Florida, until retired to senior status in 2003.
Founded and chaired The
Orchid Conservation Committee, Inc.
SELECTED BIBLIOGRAPHY
Author of numerous
popular and scientific papers on native and introduced Florida plants, especially orchids; assisted Carlyle Luer with The Native Orchids of Florida; and assisted Richard Wunderlin with Flora of Florida, Volume I, Pteridophytes and
Gymnosperms.
Beckner, John. 1953. Schizaea germanii in Florida. Amer. Fern J. 43: 124-125.
Beckner, John and L.E.
Arnold. 1955. A fern genus new to the United States. Amer. Fern J. 45: 10-11.
Beckner, John. 1955.
Letter on origin of agriculture. Brass Tacks. Analog 55(3): 156-158.
_____. 1958. Orchids on
bark in nature. Amer. Orch. Soc. Bull. 27(5):327.
_____. 1958. Letter on
rare Florida orchids. Amer. Orch. Soc. Bull. 27(12):
630-839.
Beckner, John, J.S.
Sweet, and R. Livingston. 1960. Hereditary influences of the Cattleya alliance. Amer. Orch. Soc.
Bull. 29(1): 14-15. Reprinted in various journals.
Beckner, John. 1963.
The genus Trichocentrum. Amer. Orch.
Soc. Bull. 32(3): 194-196.
_____. 1964. Names for
space plants. Analog 72(6): 87-89.
_____. 1964. Native Florida orchids. Fla. Orch. 7(2): 78-70.
_____. 1964. Fern
culture. Pp. 30-33 in E.T. Wherry, ed. The Southern Fern Guide.
_____. 1964. Eulophidium maculatum. Amer. Orch. Soc.
Bull. 33(12): 1066-1068.
_____. 1965. Phalaenopsis- the typical section. Amer.
Orch. Soc. Bull. 34(2): 1069-1072.
_____. 1967. Hemigraphis reptans (Acanthaceae), a new
Florida weed. Sida 3(2): 118-119.
_____. 1968. Lygodium microphylum, another fern
escaped in Florida. Amer. Fern J. 58(2): 93-94.
_____. 1968. Anoda cristata
(Malvaceae) in Florida. Sida 3:
280-281.
_____. 1968. The
correct name of a natural hybrid in Habenaria.
Amer. Orch. Soc. Bull. 37(6): 480-482.
_____. 1970. Notes on Florida and West Indian orhids. Phytologia 20: 217.
_____. 1970. Orchids
and orchid collectors in Central
America. Part 1. – Panama. Amer. Orch. Soc. Bull. 39(12): 1066-1073.
_____. 1971. Orchids
and orchid collectors in Central
America. Part 2. – Costa Rica. Amer. Orch. Soc. Bull. 40(2): 124-131.
_____. 1971. Ada. Book review of V. Nabokov’s botanical novel.
Orchidata 11(3): 67-69
_____. 1972. The genus Epidendrum. Fla. Orch. 15(2): 66-69.
_____. 1979. A method
of growing the impossible bog orchids. Amer. Orch. Soc. Bull. 48(6): 556-560.
_____. 1991. Aa- an
introduction. Aa 1(1): 1.
_____. 1991. Choices.
Aa 1(1): 2.
_____. 1991. Report
from the Orchid Conservation Committee. Aa 1(1): 3-4.
_____. 1991.
Recommendations. Aa 1(1): 5-7.
_____. 1991.
Introduction. Aa 1(2): 12.
_____. 1991.
Illustration of Cypripedium kentuckiense
& C. rebunense. Aa 1(2): 24.
_____. 1991. Cypripedium selected bibliography. Aa
1(2): 25.
_____. 1991. A
carnivorous orchid. Aa 1(2): 24-25.
_____. 1991. What next?
Aa 1(3): 27.
_____. 1991. Sexual
expression in orchids. Aa 1(3): 33-34.
_____. 1991.
Atmospheric hydrocarbons and orchids. Aa 1(3): 34.
_____. 1992. Island
biogeography. Aa 1(4); 36-37.
_____. 1992. West
Indian orchids. Aa 1(4): 44.
_____. 1992.
Illustration of Laelia milleri. Aa
2(1): 7.
_____. 1992. Some
interesting economic data on orchids. Aa 2(1): 8.
_____. 1993. Vanishing
orchids in Florida. Aa 2(); 11-12.
_____. 1993. Orchids in
the Florida Aquarium. Aa 2(2) 14.
_____. 1993.
Illustration of Cattleya dowiana
& Laelia milleri. Aa 2(2): 15.
_____. 1993. Aquatic
orchids. Aa 2(2): 16.
_____. 1995. Statement of
purpose. Aa 2(4): 27-29.
_____. 1995. Alwyn
Gentry…6 Jan. 1945-
3
Aug. 1993. Aa 2(2):
32-33.
_____. 1996.
Observations of orange-fringed orchids in north Florida. Aa: 3(2): 7.
_____. 1997. The
biology of Florida’s orchids. The Palmetto, Spring 1997: 6.
_____. 1997. Flowering
seasons of roadside orchids in Florida. Orchid News & Views. Insert.
_____. 1998. Atwood,
John T. & John Beckner, 1998, Ceratostylis
incognita J.T. Atwood and J. Beckner, a new species from the Philippines. Selbyana 19(2): 265-266.
_____. 1999. Orchids in
north Florida bogs. Orchid News & Views. June 1999: 3-4.
_____. 1999.
Fakahatchee Strand – it’s impossible to keep your feet dry. Orchid News &
Views. May 1999: 3-5.
_____. 2000. Encyclia cochleata. Orchid News &
Views. Jan 2000: 7-8.
_____. 2000. The green
side of orchids. Orchid New & Views. Apr. 2000: 3-6.
_____. 2000. Orchids
for landscaping along the central West Coast of Florida. Orchid News &
Views. Oct. 2000: 6-8.
_____. 2000. Orchid
grower and grand eccentric Edward James. 2000 The Tropical Dispatch. 27(2): 7.
_____. 2000. Wunderlin,
Hansen, Beckner. Flora of Florida Volume
1 Pteridophytes and Gymnosperms.
“Botanical Explorations in Florida” pp 35-99. University Press of Florida.
_____. 2001.
Questioning the origins of Vanda ‘Miss Joaquim’. Orchid News & Views. 2001.
_____. 2001. Swat!
SWAT! A day of wild adventures in the Fakahatchee. Orchid News & Views. May
2001: 7.
_____. 2001. Gone with
the ash. Orchid News & Views. Oct. 2001: 6-7.
_____. 2001. The most
expensive orchids in the world. Orchid News & Views. Dec 2001: 2-3.
_____. 2002. Lawrence
K. Magrath, Robert L. Dressler, Atwood, John T. & John Beckner. Flora of North America. Vol 26, pp 494-499.
_____. 2002. Selby
Vignette: Gone with the ash. http://www.selby.org/research/vignettes/gone.htm
_____. 2002. Florida Native Orchids. Natural History Guidebook, for
Master Naturalists. Selby. September 2002.
_____. 2003. Selby
Vignette: Quest for the Ghost Orchid. http://www.selby.org/research/vignettes/questghost.htm
_____. 2003. A New
Combination in Paphiopedilum
(Orchidaceae). Selbyana 23(2): 196
_____. 2003. Plant Morphology, Textbook for Botanical
Artists. Preliminary Classroom Version, The Ringling College of Art. October 2003.
_____. 2003. Book
review of Mori, et al, Guide to the Vascular Plants of Central
French Guiana Part 2. Dicotyledons. Selbyana 24(1): 116.
_____. 2004. Orchid
Conservation, Economics, and Research. An Introductory Chapter in: Bransilver,
Connie. Wild Love Affair: Essence of Florida’s Native Orchids. Westcliff.
_____. 2004. Plant Morphology, Textbook for Botanical
Artists, Second Preliminary Version, The Ringling College of Art.
_____. 2004. Book
Review of Langenheim, J.H., Plant
Resins. Chemistry, Evolution, Ecology, and
Ethnobotany. Selbyana 25(1).
_____. 2004. Book Review of Smil, V. Enriching the Earth. Plant Science Bulletin 50(4): 122-123.
_____. 2004 Book Review of Philpot, J.H. The Sacred Tree in Religion and Myth.
Plant Science Bulletin 50(4).
_____. 2005. Book Review of Roger D. Smith et al, Seed Conservation: turning science into practice. Plant Science
Bulletin 51(1): 18-19.
______. (In Press) Aquatic Orchids. Water Garden Journal.
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Artist Statement:
The Spirit Rising series is a manifestation of those quiet moments during a prayer, a meditation, or the twilight moment when one is falling asleep � that time when suddenly a hidden thought or emotion seems to be revealed.
DOB: July 28, 1948 -- POB: Lakewood, NJ
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Teaching:
Academy of Botanical Art at the Marie Selby Botanical Gardens Ringling College of Art and Design-Fine Arts Marketing
Formal Education:
Central Regional High School, Bayville, NJ 1960 - 1966
Dayton Art Institute, Dayton, OH 1967 - 1969
University of South Florida, Tampa FL 1969 - 1972
Continuing Education:
Arrowmont School of Arts and Crafts, Gatlinburg, TN multiple sessions
Ringling College of Art and Design, Sarasota, FL multiple sessions
Professional Affiliations:
Art Center, St. Petersburg, FL; Art Center Sarasota, Sarasota, FL; Visual Art League, New Brunswick, NJ; Art League of Manatee County, Bradenton, FL; ArTarget, Sarasota, FL; DiFA (Digital Fine Artists), Sarasota, FL; Sarasota Arts Council, Sarasota, FL; Art Faces, Art Places (internet @ www.artfaces.com)
Shows and Invitational Displays:
- Katharine Butler Gallery, Towles Court, Sarasota, FL 2000-2007 (2-one man shows & 3-two man shows)
- Art Center Sarasota, Sarasota, FL 1974 through 2007 (honorable mention award 2001)
- Digital Fine Artists Invitational, Sarasota, FL 1996 through 2001
- Art League of Anna Maria, Anna Maria, FL 2000 through 2002
- Ringling College of Art and Design, Selby Gallery, Sarasota, FL 1998-2001
- Art League of Manatee County, Bradenton, FL 1999 through 2001 (invitational)
- ArTarget, Sarasota, FL 1998, 2001 (international invitational)
- Ionie�s, Sarasota, FL 2001
- Unity Gallery at Unity Church, Sarasota, FL 2001
- Neiman Marcus, Atlanta, GA 2003 (one man show)
- Crosley Museum, Bradenton, FL 2002 (invitational)
- Opus One Ltd. 2002 and 2003 (group show featuring three artists)
- Opus One Ltd. 2003 Featured Artist for August, September & October
- Mayor of Tampa, City Beautification Benefit Show 2003, 2005, 2006, and 2007 (invitational)
- Visual Arts League, New Brunswick, NJ 2000 and 2001
- Cork Gallery, Lincoln Center, New York, NY 2000
- Sarasota Arts Council, Sarasota, FL 1998 and 1999
Miscellany:
2007 Coordinator: Selby Garden Show at Art Center Sarasota. From Familiar to Fantastic
� A cooperative effort with the Ringling College of Art and Design.
2006 Coordinator: Art of Travel Show at Art Center Sarasota with Longboat Key Art Center.
Galleries currently displaying selections from the Spirit Rising Series are:
- The Katharine Butler Gallery, Towles Court, Sarasota, FL 2000, 2001, 2002,
2003, 2004, 2005, 2006, and 2007
- The Vincent William Gallery, St. Petersburg Beach, FL 2002, 2003, 2004,
2005, 2006, and 2007
- 2AC Gallery, Greensboro, NC 2003, 2004, 2005, 2006, and 2007
- Opus One, Ltd, Tula Art Center, Atlanta, GA 2003, and 2004
Special Projects:
Television:
- CBS Sunday Morning (segue) 1999-2001
- ABC Channel 40 Sarasota Affiliate 2000
- Comcast Production for SNN/Herald Tribune - Yoga and Fine Arts 2002 - Sarasota
Other:
- Participant by invitation: Suncoast Symphony Association benefit:
Showcase Home to benefit the Sucoast Symphony, 2006, and 2007
- Assisted with the Norman Rockwell Exhibit at the Eastern States
Exposition, in conjunction with the Rockwell Museum.
Artwork in the following collections (partial list)
- Dottie West, Nashville, TN (the Dottie West Estate)
- Red Skelton, Los Angeles, CA (the Red Skelton Estate)
- Mr. & Mrs. Paul Lutz, Sarasota, FL (VP, Smith Barney)
- Ms. Bonnie Sugarman, Nashville, TN (VP, Agency for the Performing Arts
- Mr. Tony Conway, Nashville, TN (Pres., Buddy Lee Attractions)
- Frank and Laura Taubes, New York, NY (art collector/real estate)
- Charles Nissly /Michael Giardelli, Naples, FL
- Kevin Leeman / Jerome Myers, Springfield, MA
- Lawrence Berger residence, Panama City, Panama, Central America
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VICTORIA KIBILDIS
Calligrapher
Approved Academy Instructor
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Teaching
Experience:
Academy of Botanical Art at the
Marie Selby Botanical Gardens, Sarasota, FL
Big Arts on Sanibel Island, FL
Edison College off-campus, FL
Calusa Scribes, Ft. Myers, FL
Coastal Calligraphers Guild, Sarasota, FL
Florida Gulf Coast Society of
Scribes, Clearwater, FL
Scribes of Central Florida, Orlando, FL
Cape Coral Art League,
FL
Education:
1997-Present:
- Lettering
art classes in a variety of broad-pen lettering styles, i.e. Italic,
Foundational, Romans, Neuland, Blackletter, and variations thereof.
- Pointed pen
styles include Copperplate and Spencerian.
- Brush
lettering includes flat brush and pointed brush.
- Studied
with Julian and Sheila Waters, Thomas Ingmire, Brody Neuenschwander, Nancy
Culmone, Sheri Kiesel, Peter Thornton, Reggie Ezell, and many others.
- Additional classes
include, but not limited to, gilding and illumination, paper surface
techniques, and hand made books.
On-going studies:
- Annual International
Calligraphy Conference
- The
IAMPETH Annual Conference with extended workshops.
- 2006 Reggie
Ezell Course: Organized and participated in a 12 month
course of study with this noted teacher.
Memberships:
1.
Calligraphy Guilds in the US, Canada, and England.
2. Member of IAMPETH (International Association of Master Penmen and
Teachers of Handwriting)
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MARGUERITE JILL DYE
Plein Air Painter/Chinese Brush Painter
Approved Academy Instructor
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 Jill Dye brings to the Academy of Botanical Art her delightful spirit and artistic skills. Her work is influenced by her love of life, nature, France and China. Her deep connection with the natural world translates into respect for all of nature. Surrounded by nature and life, she paints what she feels and experiences: the movement of the wind translates into spontaneous brush strokes and lively lines; flickering sunlight and shadow become a playful dance of color and light; a sense of serenity becomes gentle transparent glazes of harmonious hues. The spirit of the place determines the mood of the painting, whether active and exciting or meditative and peaceful.
Academy students
have enjoyed Ms. Dye’s classes in ink and watercolor, as well as her cheerful instruction in the art of Chinese Brush Painting. She tells her students, “The highest ideal is to create the work with a pure heart so the viewer will absorb only the best qualities of the artist which are believed to transcend the work of art.”
A Brief Biography of the Artist
Art
Education: The Ringling College of Art and Design’s Fine Art Certificate Program, Zhejiang Academy of Fine Art (Hangzhou, China), Schiller International University (Paris), Virginia Commonwealth University, Virginia Museum of Fine Art, private tutorials :China, US.
Teaching
Experience:Classes and workshops for adults, children and families in Chinese Brush Painting, Chinese Culture, Watercolor, Ink and Watercolor, Plein Air
Painting, Watercolor Woodblock, Experimental Work on Rice Paper, Eclectic Art, The Artist’s Way, Creating the Life You Want to Live.
Organizations
and locations:Sarasota Arts Council Visiting Artist in numerous schools throughout Sarasota City and County (2003-current);The Academy of Botanical Art (2005-current);Marie Selby Botanical Gardens (2004-5);Sarasota Studio Classes (2003-5)Chaffee Art Center, Rutland VT (2005, 6);Killington Summerfest (2005,6);Richmond Partners in the Arts, Arts and Humanities Center, Henrico County Arts Program, Richmond Hand Workshop, Arts on
the Square, Richmond Children’s Museum (1990-2000)
Exhibits:1985 to Present:One woman and group exhibitions in Florida (including Promenade Gallery, Imperial Fine Art Gallery, and the Abbott Galleries of St. Armand’s Circle), Virginia and Vermont, plus public, private and corporate collections in the US, Europe and China; Ms. Dye is the recipient of numerous awards and certificates
Associations:Founder and Director of Friendship Through the Arts, a cultural exchange program of the US-China Peoples Friendship Association, leader of nine delegations of artists, writers and teachers to China, hosted numerous Chinese delegations in US Sarasota Sister Cities Committees for China and France, leading delegation of artists to France 2007 National League of American PEN Women (served as Virginia State President), member Arts and Letters in Virginia, Vermont, Florida (1985-2006) Killington Arts Guild
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LESLIE A. NICKS
Botanical Artist
Academy Apprentice Instructor
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 Leslie Nicks studied Oceanography pursuing marine
illustrations and scientific illustration for field study work. Her skills and interests led her to work as a
consultant in the nuclear industry in one of the premier nuclear training
facilities in the United States. She was responsible for illustrating training
manuals, visual presentations for upper management and assist in the production
of training videos.
After relocating to
Florida, Ms. Nicks started in her own marketing business where she became a
corporate educator. She also coached
young athletes in synchronized swimming.
Her continued passion for the outdoors and art led her to have a
conversation with a friend who said “the botanical art program at Ringling is a
perfect match for you.” Not sure how she
could juggle working, coaching and being a single mom she enrolled to take one
class in Ms. Braida's Botanical Art Certification Program at Ringling College of Art and
Design. She found the program to be so fantastic she
continued on and hasn’t looked back.
Ms Nicks continues to work under
the tutelage of O.M. Braida to receive both her certification as a
botanical artist and as an approved Academy instructor sometime in the
Spring of 2009. Ms. Nicks is the recipient of
several awards at student exhibitions for her graphite and watercolor paintings
including Best of Show for watercolor. Her
artwork is published in O.M. Braida’s Ten Steps book series. Ms. Nicks serves on the Board of Directors
for the Florida Society of Botanical Artists (FSBA) as treasurer. The FSBA is a chapter of the American Society
of Botanical Artists (ASBA). She is also
a member of the Florida Native Plant Society and the International Waterlilly
and Water Gardening Society.
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